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Asian American Pacific Islander Heritage Month: Fatima Ronquillo

May is Asian/Pacific American Heritage Month – a celebration of Asians and Pacific Islanders in the United States. A rather broad term, Asian/Pacific encompasses all of the Asian continent and the Pacific islands of Melanesia (New Guinea, New Caledonia, Vanuatu, Fiji and the Solomon Islands), Micronesia (Marianas, Guam, Wake Island, Palau, Marshall Islands, Kiribati, Nauru and the Federated States of Micronesia) and Polynesia (New Zealand, Hawaiian Islands, Rotuma, Midway Islands, Samoa, American Samoa, Tonga, Tuvalu, Cook Islands, French Polynesia and Easter Island). For more information on AAPI Heritage Month, visit https://asianpacificheritage.gov/about/.
We will be highlighting some of our AAPI artists during the month of May.

Fatima Ronquillo is a self-taught painter who combines old master techniques with a playful modern sensibility to create a world where art history meets with imagined characters from literature, theatre and opera. Born in Pampanga, Philippines in 1976, Fatima Ronquillo emigrated as a child to the United States in 1987 where her family settled in San Antonio, Texas. She began exhibiting her work from the age of fifteen and is now widely collected in the United States and internationally. Her work has appeared in numerous art publications including American Arts Quarterly, Southwest Art and American Art Collector as well as in the fashion magazines The Cut / New York Magazine, Vogue Gioiello, Marie Claire and A Magazine Curated By Alessandro Michele. She lives and works in Santa Fe, New Mexico.

For pricing and availability, email us at info@breditions.com or call 505.982.6625.

Visit our website to sign up for our email newsletter at www.breditions.com

#FatimaRonquillo #BlackRockEditions #AAPI #AAPIHeritage #StopAAPIHate #Lithograph #Lithography #Printmaking #Prints #Printshop #Pilipino #AsianAmerican #FineArtEditions

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Traditional Etching Techniques: The Art of the Line

Come spend two days collaborating and printing with our experienced staff as we guide and assist you in acquiring these elementary skills in the ancient art of etching.

Unleash your inner Rembrandt, Channel Goya, bend it like Picasso. For the first time Black Rock Editions is offering a two-day etching workshop that will focus on traditional printmaking techniques. We will be covering basic line bite methods such as liquid and hard ball grounds, smoking the plate, transferring images and the biting and proofing of your plate.

When: June 12th – 13th, 2021 | 10 am – 4 pm
Where: Black Rock Editions | 1143 Siler Park Lane, Ste 107, Santa Fe, NM 87507
What: The workshop is limited to five spots. CDC Guidelines are followed including wearing masks.
Registration: Email us at info@breditions.com with your contact information.
Fee: $300 includes one 5″ x 7″ copper plate, paper, ink and supplies/materials. Call 505-982-6625 for payment.

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Asian American Pacific Islander Heritage Month: Jiha Moon

May is Asian/Pacific American Heritage Month – a celebration of Asians and Pacific Islanders in the United States. A rather broad term, Asian/Pacific encompasses all of the Asian continent and the Pacific islands of Melanesia (New Guinea, New Caledonia, Vanuatu, Fiji and the Solomon Islands), Micronesia (Marianas, Guam, Wake Island, Palau, Marshall Islands, Kiribati, Nauru and the Federated States of Micronesia) and Polynesia (New Zealand, Hawaiian Islands, Rotuma, Midway Islands, Samoa, American Samoa, Tonga, Tuvalu, Cook Islands, French Polynesia and Easter Island). For more information on AAPI Heritage Month, visit https://asianpacificheritage.gov/about/.

We will be highlighting some of our AAPI artists during the month of May. Email us at info@breditions.com or call us at 505.982.6625 for pricing and availability.

Jiha is from DaeGu, Korea and lives and works in Atlanta, GA. She received her MFA from the University of Iowa, Iowa City. Her works have been acquired by Asia Society, New York, NY, High Museum of Art, Atlanta, GA, The Mint Museum of Art, Charlotte, NC, Smithsonian Institute, Hirshhorn Museum and Sculpture Garden, Washington, DC, Weatherspoon Museum of Art, Greensboro, NC and The Virginia Museum of Fine Arts, Richmond, VA. She has had solo exhibitions at Museum of Contemporary Art of Georgia, GA, Taubman Museum, Roanoke, VA, the Mint Museum of Art, Charlotte, NC, The Cheekwood Museum of Art, Nashville, TN and Rhodes College, Clough-Hanson Gallery, Memphis, TN and James Gallery of CUNY Graduate Center, New York, NY. She is the recipient of the prestigious Joan Mitchell Foundation’s painter and sculptor’s award for 2011. Her mid-career survey exhibition, “Double Welcome: Most everyone’s mad here” organized by Halsey Institute of Contemporary Art and Taubman Museum has toured more than 10 museum venues around the country ending in 2018.
Jiha Moon’s Webpage
Email us for pricing and availability at info@breditions.com
Email us for pricing and availability at info@breditions.com
Email us for pricing and availability at info@breditions.com
Email us for pricing and availability at info@breditions.com
Email us for pricing and availability at info@breditions.com
Email us for pricing and availability at info@breditions.com
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Spring into Action

First and foremost, we need to thank all of our donors and supporters. With the dumpster fire that was 2020 now in our rear view mirror, we are looking forward to the possibilites.

We are planning on restarting our Thursday night print clinics. Once we resume the clinic, we will be limiting the number of participants and will be requiring masks to be worn at all times. Check back for updates on our website https://breditions.com/category/news/

We’ve completed two editions with Fatima Ronquillo and will be wrapping up a new edition with Peregrine Honig. Jeanette Pasin Sloan is next on our docket and we’ll be throwing that on the Voirin shortly.

We are keeping busy but need your help with some of the mundane aspects of running a shop; mainly things like paper, inks and various other supplies.


HOW CAN I SUPPORT BLACK ROCK EDTIONS?
You can support us in 1 (or more) of 3 ways:
DIRECT DONATION
RENEW OR BECOME A SUBSCRIBER
PURCHASE ARTWORK

DIRECT DONATIONS

Your donations will provide materials for artists: printing plates, paper, ink and drawing tools as well as supplies for our Print Clinics and workshops. (Once we can safely convene for these) Your funding and generosity will assist with fractional operating costs that bring our artists the highest quality prints and projects we know we can deliver. Please consider making a pledge. Every bit adds up.

Black Rock Editions has a fiscal sponsorship from the Santa Fe Art Institute. This relationship makes any donation a tax-deductible contribution and insures that we can carry on. You can choose to donate directly through the online link listed below:
Donate here

Or you can send an old school check made payable to:
Santa Fe Art Institute Please make sure you note in the memo section on the check: Black Rock Editions.
Mail checks to:
Santa Fe Art Institute C/O Black Rock Editions PO Box 24044 Santa Fe, NM 87502-4044

SUBSCRIPTIONS

Whether interested for your business or for your personal residence or both, for a fee of $5000, you can assist BRE as a subscription sponsor. ln return, we will send one of every print we publish during that year; credited at a rate of 50% of the publication retail price until your credit is used whereas you have the option of renewing. With each print, we include a provenance document. Email us at info@breditions.com for more information.

PURCHASE ARTWORK

There’s always the old fashioned purchasing of the artworks. Not only will you be directly supporting the shop as well as the artists, you will have something lovely to hang on your walls. It’s a win/win. To view our available inventory, visit https://breditions.com/artists/


“There is nothing that says more about its creator than the work itself.”— Akira Kurosawa

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Peregrine Honig | Rebirth

Peregrine Honig is back in the building with Black Rock Editions. Our first print of Spring is the aptly entitled Rebirth, a limited edition 5 color lithograph depicting unborn twin taxidermy fawns. This elegant print will be pulled by hand in a small edition of 24. The Twin Fawns are a recurring icon in Honig’s work. Purchased from a toy and science store, Honig commissioned a custom glass cloche and hand carved wooden pedestal for the object. She then hired master photographer EG Schempf to document the sculpture. Rebirth introduces the image to ink. Pale fresh colors and fragile beauty archive a conversation about conception and preservation. 

Honig is always a favorite. With a collaborative history with our printers dating back over 25 years,  her quick mind and agile hands allow for a fast study in whatever print medium she is introduced to. She listens, learns, and incorporates the master’s processes within hours. An authentic collaborator with a true spirit of give and take paired with an endless repertoire of jokes, Honig is a joy to work with. There is a decisive nature to all of Peregrine’s Honig’s work reminiscent of Caesar’s quote of
“I came, I saw, I conquered “. She executes ink with conceptually and technically powerful results. A professional artist with a dedication and force that gives her an international platform, Honig emanates from the center of the United States and outward like the concentric rings of a pebble dropped in still water.  

Rebirth
Peregrine Honig Rebirth lithograph. Photo courtesy E.G. Schempf.

Rebirth
2021
Lithograph
27″ x 32″
Edition 24 plus proofs

All inquiries to (505)982-6625 or email us at info@breditions.com 

#spring #peregrinehonig2021 #rebirth #twinfawns #blackrockeditions

Steve and Josh pull a proof. All are happy.

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Jeanette Pasin Sloan is back in the shop.

We are proud to announce a new project with artist Jeanette Pasin Sloan. Jeanette worked on what was originally a 5 color lithograph. Early proofing determined we needed to approach this differently with the result culminating in a 10 color lithograph. It captures the subtlety and complexity of printing the various contours and penumbras of black and white patterned china.
Diamonds is going to retail at $1,200. We are offering the new edition at a pre-publication price of $1,000. Valid through 3/31/21.

Email us at info@breditions.com to reserve your print.

Diamonds| 2021 | 10 color lithograph | 23.5″ x 25.25″ | Edition 50 plus proofs
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James Havard

I remember the first time I saw a James Havard painting; it was at a gallery in Palo Alto California in the 1970s. It was during his “Abstract Realism” period and I was floored- they were transportive. I never forgot the pieces or the moment. Fast forward to 2006, Landfall Press was contracted to produce a limited edition etching for Havard’s monograph of his complete works. I did a few prints with him in the 90s but nothing like this deep dive. I felt the best option was to give him six prepared etching plates and develop them all completely and edit them down to the one shining star.

We did all of them in 5 days, it was a marvelous and intense experience. I’ve always admired those artists that could work so directly- no prelims, no hesitation, just wind up and go. James was great to work with…generous, he would make these little ink wash figures and gift them to the crew and periodically we’d sneak off for a little smoke break on the loading dock. We finally pared all the options down to one print entitled “Religion Fighters” a little gem of a thing printed off copper plate with a hand printed chine colle. Great piece, it has such energy in the mark making and a subject matter still on the front burner as it has been for a 1000 yrs.

James passed away mid-December of 2020 and I for one will miss that prolific hand and quick mind. Presented here for your pleasure is “Religion Fighters” as well as an additional trial proof of an unfinished project. Email us at info@breditions.com for pricing and availability.

Religion Fighters
2006
etching wtih chine colle
12 1/2 x 12 1/4
Trial Proof Signed in pencil by artist

Untitled
2006
etching wtih chine colle
12 1/2 x 12 1/4
Trial Proof Signed in pencil by artist

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Most recent collaboration with Fatima Ronquillo

I never thought that a lockdown could have its advantages. In this case, it gave us time and opportunity to explore a side of lithography we never had the chance to do before. After completion of the small monochromatic edition of Fatima’s “The Watchers”, we began to ponder an approach to a color version and since Fatima’s painting style echoes the neo-classicism of a hundred plus years ago we reasoned a similar lithographic rendition would be appropriate. Jack (Lemon) has long been a fan of the Jules Cheret lithographs of 19th century Paris and suggested we follow a similar manner of working. The result is a 14 color lithograph not only in homage to old Jules but printed on the same kind of machine that would have been use back then, our c. 1870 Marinoni Voirin Press. I feel the resulting print was a huge success with overlays and a saturation seldom seen in contemporary prints. It’s really a print to let the eye linger on. Bravo Fatima and Bravo crew! Contact us at info@breditions.com for pricing and availability.

Fatima Ronquillo
The Watchers (color)
2021
14 color lithograph
28 3/4″ x 20 1/4″
Edition 50 plus proofs
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Starter Kit

The crew here at Black Rock felt it might be a good idea to offer a series of prints designed for the beginning print collector. This will most likely be a recurring monthly theme with the expressed intent of exposing our followers to some really good prints at some very reasonable pricing. The artists in each of these episodes range from early to established careers and hail from all parts of the country.

I’ve sold prints at art fairs for 30 odd years and a repeated question has always been “Will my print increase in value in the future?” The answer of course is some will and some won’t, but I have always been an advocate of buying what resonates with you. Good art you love is always a delight to live with. Chris and I have been fortunate to have accrued a pretty good selection with a substantial portion of it up on the walls. Our choices for the wall could be considered eclectic but I still stop and admire a different passage in a different print all the time.

The print medium is considered the most democratic of art mediums especially for beginning collectors, you may not be able to afford that painting or sculpture but by comparison, everyone can afford a print. So, please peruse, enjoy. If you have any questions, feel free to contact us.

Jessica Abel
Girl’s Comics #5
1988
Lithograph
21″ x 16″
Ed 25
Printed and published by Landfall Press

Richard Hull
Play
1989
25 1/4” x 33 1/4”
Ed 50
Printed and published by Landfall Press

Kathryn Lynch
Splash
2013
Etching
22″ x 20″
edition 20
Printed and published by Landall Press

Jeanette Pasin Sloan
Espresso Cups
1996
Lithograph
22″ x 22″
Ed 20
Printed and published by Landfall Press

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Feb. 14th ideas?

Black Rock Editions is pleased to offer some ideas for that special someone. Or for yourself…who are we to tell you what to do?
Email us at info@breditions.com for pricing and availability.

Ghada Amer and Reza Farkhondeh
Love Me
2006
Lithograph with hand sewn elements
18 1/4″ x 29 1/4″
Ed 25
*Printed and published by Landfall Press

James Drake
Red Hands (The Fingers Say We Love You)
2000
Lithograph
18″ x 37″
Ed 20
*Printed and Published by Landfall Press

Kathryn Lynch
Big Yellow
2014
Lithograph
25″ x 30″
Ed 30
*Printed and Published by Landfall Press

Jeanette Pasin Sloan
Greek Key
2020
Lithograph
23 1/2″ x 22″
Ed 50

Neal Ambrose Smith
Dear Homemaker
2018
21 1/8″ x 29 1/4″
Ed 50
Printed and Published by Landfall Press

Nancy Dwyer
Out of My Mind
1991
Lithograph
17 7/8″ x 18
Ed 25
*Printed and published by Landfall Press

Peregrine Honig
Confederate
2003
Lithograph/Etching
22″ x 16″
Ed 35
*Printed and published by Landfall Press

Tom Huck
Miss Rite
2019
Woodcut
38″ x 12″
Ed 40
Printed and published by Landfall Press

Kay Rosen
Only the Lonely
2010
Lithograph
19″ x 23″
Ed 20
*Printed and published by Landfall Press